Want to behold the glory that is 'Coward of the County' on your TV or mobile device at home? Hunting down a streaming service to buy, rent, download, or watch the Dick Lowry-directed movie via.

Albums

Music Videos

Artist Playlists

Singles & EPs

Compilations

Appears On

Movies

Books

Audiobooks

About Kenny Rogers

It took several tries before Kenny Rogers became a star. As a member of the First Edition (and the New Christy Minstrels before that), he shared in some million-sellers, among them 'Reuben James' and 'Ruby, Don't Take Your Love to Town,' an excellent Mel Tillis song about a disabled veteran. But superstardom lay ahead for this Texan, and it arrived in the late '70s. His experience with the two previous pop groups had prepared him well: he knew the easy listening audience was out there, and he supplied them with well-done middle-of-the-road songs with a country flavor. Having gone solo, in 1976 Rogers charted with 'Love Lifted Me.' But it was with an outstanding song by writers Roger Bowling and Hal Bynum, 'Lucille,' that his star shot upward.
The rest (as they say) is history: award-winning duets with Dottie West and Dolly Parton, 12 TV specials, another song of the year with 'The Gambler,' 'Daytime Friends,' 'Coward of the County,' 'We've Got Tonight,' 'Crazy,' 'Lady' (his first pop number one), etc., etc., etc. And that's just the musical side of Rogers. In 1980, the made-for-TV movie The Gambler blasted the competition, followed quickly by Coward of the County, then enough sequels to The Gambler to get him to Roman numeral IV. Throughout the '80s, Rogers remained a celebrity, even when his sales were declining. Even during the '90s, when he rarely charted, his name, face, and music were recognizable in a series of concerts, television specials, films, and even fast-food restaurants.
Like many country superstars, Rogers came from humble roots. Born in Houston, Texas, Rogers and his seven siblings were raised in one of the poorest sections of town. Nevertheless, he progressed through high school, all the while learning how to play guitar and fiddle. When he was a senior, he played in a rockabilly band called the Scholars, who released three singles, including 'Kangewah,' which was written by Louella Parsons. Following his graduation, he released two singles, 'We'll Always Fall in Love Again' and 'For You Alone,' on the local independent label Carlton. The B-side of the first single, 'That Crazy Feeling,' was popular enough to earn him a slot on American Bandstand. In 1959, he briefly attended the University of Texas, but he soon dropped out to play bass in the jazz combo the Bobby Doyle Three. While he was with the group, Rogers continued to explore other musical venues and played bass on Mickey Gilley's 1960 single 'Is It Wrong.' The Bobby Doyle Three released one album, In a Most Unusual Way, before Rogers left the group to play with the Kirby Stone Four. He didn't stay long with Stone and soon landed a solo record contract with Mercury.
Rogers released a handful of singles on Mercury, all of which failed. Once Mercury dropped the singer, he joined the New Christy Minstrels in 1966. He stayed with the folk group for a year, leaving with several other bandmembers -- Mike Settle, Terry Williams, and Thelma Lou Camacho -- in 1967 to form the First Edition. Adding drummer Mickey Jones, the First Edition signed with Reprise and recorded the pop-psychedelic single 'Just Dropped In (To See What Condition My Condition Was In).' The single became a hit early in 1968, climbing to number five. Within a year, the group was billed as Kenny Rogers & the First Edition, and in the summer of 1969, they had their second and final Top Ten hit, 'Ruby, Don't Take Your Love to Town.' The country overtones of the single hinted at the direction Rogers was taking, as did the minor hit follow-up, 'Ruben James.' For the next two years, the First Edition bounced between country, pop, and mild psychedelia, scoring their last big hit with Mac Davis' 'Something's Burning' in early 1970. By the end of 1972, the group had its own syndicated television show, but sales were drying up. They left Reprise the following year, signing to Rogers' new label, Jolly Rogers. None of their singles became major hits, though a version of Merle Haggard's 'Today I Started Loving You Again' reached the lower regions of the country charts late in 1973. Rogers left the group in 1974, and the band broke up the following year.
At the time the band broke up, Rogers was severely in debt and Jolly Rogers was out of business. In order to jump-start his career, he signed to United Artists in 1975, and with the help of producer Larry Butler, he devised an accessible, radio-ready, and immaculately crafted take on country-pop that leaned toward adult contemporary pop, not country. 'Love Lifted Me,' his debut single for the label, was a minor hit early in 1976, but it took a full year for Rogers to have a genuine breakthrough hit with 'Lucille.' Climbing to number one early in 1977, 'Lucille' not only was a major country hit, earning the Country Music Association's Single of the Year award, but it also was a huge crossover success, peaking at number five on the pop charts. For the next six years, Rogers had a steady string of Top Ten hits on both the country and pop charts.
His crossover success is important -- his lush, easy listening productions and smooth croons showed that country stars could conquer the pop audience, if produced and marketed correctly. During the late '70s and early '80s, much of country radio was dominated either by urban cowboy or country-pop in the vein of Rogers' own singles. Between 1978 and 1980, he had five straight number one country singles -- 'Love or Something Like It,' 'The Gambler,' 'She Believes in Me,' 'You Decorated My Life,' 'Coward of the County' -- most of which also reached the pop Top Ten. In addition to his solo hits, he had a series of Top Ten duets with Dottie West, including the number one hits 'Every Time Two Fools Collide' (1978), 'All I Ever Need Is You' (1979), and 'What Are We Doin' in Love' (1981). Not only did his singles sell well, but so did his albums, with every record he released between 1976's Kenny Rogers and 1984's Once Upon a Christmas going gold or platinum.
By the beginning of the '80s, Rogers' audience was as much pop as it was country, and singles like his cover of Lionel Richie's 'Lady' confirmed that fact, spending six weeks at the top of the pop charts. Rogers also began performing duets with pop singers like Kim Carnes ('Don't Fall in Love with a Dreamer,' number three country, number four pop, 1980) and Sheena Easton ('We've Got Tonight,' number one country, number six pop, 1983). Rogers also began making inroads into television and film, appearing in a number of TV specials and made-for-TV movies, including 1982's Six Pack and two movies based on his songs 'The Gambler' and 'Coward of the County.' Late in 1983, he left United Artists/Liberty for RCA Records, releasing a duet with Dolly Parton called 'Islands in the Stream' as his first single for the label. Written by the Bee Gees and produced by Barry Gibb, the record became one of his biggest hits, spending two weeks on the top of both the country and pop charts.
Rogers stayed at RCA for five years, during which time he alternated between MOR, adult contemporary pop, and slick country-pop. The hits didn't come as often as they used to, and they were frequently competing with releases from Liberty's vaults, but he managed to log five number one singles for the label, in addition to 'Islands in the Stream': 'Crazy' (1984), 'Real Love' (1985), 'Morning Desire' (1985), 'Tomb of the Unknown Love' (1986), and the Ronnie Milsap duet 'Make No Mistake, She's Mine' (1987). Despite his country successes, he no longer had pop crossover hits. Nevertheless, Rogers' concerts continued to be popular, as did his made-for-TV movies. Still, the lack of blockbuster records meant that RCA failed to renew his contract when it expired in 1988. Rogers returned to his first label, Reprise, where he had one major hit -- 1989's Top Ten 'The Vows Go Unbroken (Always True to You),' taken from the gold album Something Inside So Strong -- before his singles started charting in the lower half of the Top 40.
Throughout the late '80s and '90s, Rogers kept busy with charity work, concerts, his fast-food chain Kenny Rogers' Roasters, television specials, movies, and photography, publishing no less than two books, Kenny Rogers' America and Kenny Rogers: Your Friends and Mine, of his photos. Rogers continued to record, releasing albums nearly every year, but they failed to break beyond his large, devoted fan base and only made a slight impact on the charts. With 1998's Christmas from the Heart, he established his own record label, Dreamcatcher; She Rides Wild Horses followed a year later, and There You Go Again was issued in mid-2000. A&E Live by Request appeared in 2001, followed by Back to the Well in 2003, Me & Bobby McGee in 2004, and Water & Bridges in 2006.
At this point in his career, unable to hit the pop or country charts any longer, Rogers repositioned himself as a nostalgic brand in the middle, releasing 2011's The Love of God, a collection of gospel hymns and inspirational songs, only through Cracker Barrel locations (the album was re-released a year later by the Gaither Music Group under the title Amazing Grace). In 2012 he issued an autobiography, Luck or Something Like It: A Memoir, and the following year he received the honor of an induction into the Country Music Hall of Fame. A new deal with Warner Bros. Nashville yielded You Can't Make Old Friends, his first major-label, big-budget release in seven years, and he promoted it with a major tour and even appeared at England's legendary Glastonbury Festival. The album's October 2013 release was preceded by the title-track duet with longtime friend Dolly Parton. In late 2015 Rogers returned to a familiar genre, releasing Once Again It's Christmas, his first holiday album in 17 years. ~ David Vinopal & Stephen Thomas Erlewine

Similar Artists

^* New subscribers only. Plan automatically renews after trial.

'Coward of the County' is a country song written by Roger Bowling and Billy Ed Wheeler, and recorded by American country music singer Kenny Rogers. The song was released in November 1979 as the second single from Rogers' multi-platinum album Kenny. It became a major crossover hit, topping the BillboardCountry chart and reaching #3 on the Hot 100 chart; it also topped the Cash Box singles chart and was a Top 10 hit in numerous other countries worldwide topping the chart in Canada, the UK, and also in Ireland where it stayed at #1 for six consecutive weeks.^[1]

Movie Coward Of The County

• 3Chart performance

Content[edit]

Rogers sings in narration about his ward and nephew Tommy, a young man with a prominent reputation for never standing up for himself; his pacifism earned him the derisive nickname 'Yellow' from others throughout the county, but Rogers hinted that he always felt there was something about Tommy that the rest of the county did not see.

Tommy's nonviolent attitude was greatly influenced by his father who had died in prison when Tommy was ten years old; during his final visit with him, Tommy's father pleads with him to not make the same mistakes he made, telling him that 'turning the other cheek' is not a sign of weakness, and advising him, 'Son, you don't have to fight to be a man'.

Years later, Tommy is in a relationship with a woman named Becky who, while she knows of Tommy's reputation, loves and accepts him as he is without his having to prove he is a man. One day, while Tommy was at work, the three Gatlin brothers visit Becky and gang rape her. When Tommy returns home and finds Becky crying and much worse for wear, he is faced with the dilemma of having to choose between defending Becky's honor or upholding his father's plea to 'walk away from trouble when he can'.

Realizing he cannot ignore his predicament, Tommy goes to the bar where the Gatlins hang out, but they only laugh at him when he walks in. After one of them meets him halfway across the floor Tommy turns around, and the Gatlins assume he is going to walk away yet again, but a deathly silence falls over the entire bar when they hear Tommy stop and lock the front door. Fueled by his long-bottled-up aggression, Tommy cuts loose and furiously fights the Gatlin boys leaving all three of them lying on the barroom floor by the time he left; the lyrics are ambiguous as to whether the Gatlins were dead or just unconscious, or if guns were used or if it was a fistfight.

Tommy then reflects on his late father's plea, addressing him respectfully that while he did his best to avoid trouble, he hopes his father understands that 'Sometimes you gotta fight when you're a man.'

Controversy regarding 'The Gatlin Boys' lyric[edit]

It has been claimed that mention of the 'Gatlin boys ... there was three of them' in the song was a reference to The Gatlin Brothers. However, in The Billboard Book of Number One Country Singles, Rogers stated that he did not realize the connection, and that had he done so, he would have asked for the name to have been changed. Larry Gatlin also gave the song a positive review ('It's a good song').^[2] Writer Billy Edd Wheeler denied that the lyric was a reference to the Gatlin Brothers.^[3]

Larry Gatlin claimed in an interview on the Adam Carolla Show that Roger Bowling had a personal grudge against him although he didn't know why. He told Carolla that when Bowling won song of the year for 'Lucille', he (Gatlin) walked over to congratulate Bowling for winning. Gatlin told Carolla: 'He said 'fuck you Gatlin.' I said 'what?' He said 'fuck you.' I said 'Let me tell you something, hoss. If we weren't in the Grand Ole' Opry House dressed up in tuxedos, I would just open a boot shop in your ass.' Gatlin said it was a year or two later that his family name showed up in 'Coward of the County.'^[4]

Chart performance[edit]

Watch Coward Of The County Movie

Cover versions[edit]

Alvin and the Chipmunks covered the song with several lyric changes for their 1981 album Urban Chipmunk.

Jamaican dancehall musician Sister Nancy performed a version on her 1982 album 'One, Two' as 'Coward of the Country [sic].' Her version also includes elements of the songs 'Banana Boat Song' and 'In the Ghetto.'^[22]

Film adaptation[edit]

The song inspired a 1981 television movie of the same name, directed by Dick Lowry, who also directed all but the last of The Gambler television movie saga pentalogy. The film starred Rogers as Tommy's uncle, Reverend Matthew Spencer (who sang the song in the film), and featured Fredric Lehne as the troubled Tommy Spencer, Largo Woodruff as Becky, and William Schreiner as 'Jimmy Joe' Gatlin. The movie added several characters not mentioned in the song, including Car-Wash (Noble Willingham), a friend of the Spencers; Violet (Ana Alicia), another local girl who was also in love with Tommy; and Lem Gatlin (Joe Dorsey), the equally-nemesis father of the Gatlin boys (brothers Jimmy Joe, Paul, and Luke).

Coward Of The County Story

Set in small-town Georgia during the onset of America's involvement in World War II, the film's plot expanded on the story in the song, in which Jimmy Joe Gatlin publicly proclaimed Becky to be 'his girl' though Becky repeatedly stated that she was not. That rejection (to which he is in total denial), along with the fact that Becky and Tommy started dating and became engaged while Jimmy Joe and his brother Luke were away at basic training, would serve as motive for Jimmy Joe and his brothers to assault Becky just days before she and Tommy were to be married. The film ends with Tommy joining the Marines and being shipped off to war right after his wedding to Becky (performed by Matthew), and with all three Gatlin brothers arrested and convicted for gang-raping Becky.

References[edit]

1. ^'Kenny Rogers | Artist'. Official Charts. Archived from the original on 2011-12-24. Retrieved 2014-03-28.
2. ^Roland, Tom, The Billboard Book of Number One Country Hits. Billboard Books, Watson-Guptill Publications, New York, 1991 (ISBN0-82-307553-2)
3. ^'Chicken Soup for the Soul: Country Music: The Inspirational Stories behind ... - Jack Canfield, Mark Victor Hansen, Randy Rudder - Google Books'. Books.google.com. Retrieved 2014-03-28.
4. ^'Larry Gatlin Podcast'. adamcarolla.com. July 24, 2016. Retrieved August 20, 2016.
5. ^'Australian-charts.com – Kenny Rogers – Coward of the County'. ARIA Top 50 Singles.
6. ^'Austriancharts.at – Kenny Rogers – Coward of the County' (in German). Ö3 Austria Top 40.
7. ^'Nederlandse Top 40 – Kenny Rogers' (in Dutch). Dutch Top 40.
8. ^'Charts.nz – Kenny Rogers – Coward of the County'. Top 40 Singles.
9. ^'Swisscharts.com – Kenny Rogers – Coward of the County'. Swiss Singles Chart.
10. ^'SA Charts 1965–March 1989'. Retrieved 5 September 2018.
11. ^Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN84-8048-639-2.
12. ^Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 377. ISBN1-904994-10-5.
13. ^'Kenny Rogers Chart History (Hot Country Songs)'. Billboard.
14. ^'Kenny Rogers Chart History (Hot 100)'. Billboard.
15. ^'Kenny Rogers Chart History (Adult Contemporary)'. Billboard.
16. ^Kent, David (1993). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W. ISBN0-646-11917-6.
17. ^'Top 100 Singles (1980)'. RPM. Retrieved 2017-07-21.
18. ^http://nztop40.co.nz/chart/?chart=3869
19. ^'Chart File'. Record Mirror. London, England: Spotlight Publications. 21 March 1981. p. 37.
20. ^Musicoutfitters.com
21. ^Cash Box Year-End Charts: Top 100 Pop Singles, December 27, 1980
22. ^https://www.youtube.com/watch?v=QKO5_MFl8h4

External links[edit]

• Lyrics of this song at MetroLyrics